Building with Bags: How We Made Our Experimental Earthbag/Papercrete House 1 1/2 hr. DVD produced by Kelly Hart.We wanted to build an environmentally sensitive and aesthetically pleasing home at a moderate price. We chose to create earthbag domes covered with papercrete (recycled paper combined with cement and sand). This honest DVD documents details of the construction, insights gained, and the ups and downs (literally!) of the building process. Several other earthbag homes are also shown. For more information about the house see Photogallery & Description of Our House or Construction Details of Our House . To view a streaming video intoduction to this DVD click here. | ||||||||||||||||||
Earthbag Building : The Tools, Tricks and Techniques by Kaki Hunter, Donald Kiffmeyer, 2004. Earthbag Building is a comprehensive guide to all the tools, tricks, and techniques for building with bags filled with earth. Having been introduced to sandbag construction by the renowned Nader Khalili in 1993, the authors developed this "Flexible Form Rammed Earth Technique" over the last decade. A reliable method for constructing homes, outbuildings, garden walls and much more, this enduring, tree-free architecture can also be used to create arched and domed structures of great beauty. This profusely illustrated guide first discusses the many merits of earthbag construction, and then leads the reader through the key elements of an earthbag building: Special design considerations; Foundations, walls and floors; Electrical, plumbing and shelving; Lintels, windows and door installations; Roofs, arches and domes; Exterior and interior plasters. There are also dedicated sections on costs, making your own specialized tools, and building code considerations, as well as a complete resource guide. Kaki Hunter and Donald Kiffmeyer have been involved in the construction industry for the last 20 years, specializing in affordable, low-tech, low-impact building methods that are as natural as possible. They developed the "Flexible Form Rammed Earth Technique" of building affordably with earthbags and have taught the subject and contributed their expertise to several books and journals on natural building. For a more detailed review of this book written by Kelly Hart see this page. Earthbag Building is available as a downloadable ebook for $29.95 from this link. | ||||||||||||||||||
Building with Earth: A Guide to Flexible-Form Earthbag Construction by Paulina Wojciechowska, 2001. This is the first book published about earthbag building, and still one of the best. Unfortunately it has gone out of print, but is still available used from various sellers at Amazon. My earthbag/papercrete house is featured on the cover, and as a case study, and images of it are sprinkled throughout the text. Paulina visited me while I was building it and helped with the construction some. She studied with Nader Khalili at CalEarth, so is grounded in his training, but is not bound by his perspective. This book touches on most of the relevant facits of earthbag building, and I give it a high recommendation. | ||||||||||||||||||
Emergency Sandbag Shelter by Nader Khalili, 2008. The book shows how to use sandbags and barbed wire, the materials of war, for peaceful purposes. Earthbags can shelter millions of people around the globe as a temporary as well as permanent housing solution. This affordable, self-help, sustainable, and disaster resistant structural system is a spin off from Khalili's presentation to NASA for habitat on the moon and Mars, which successfully passed rigorous tests for strict California earthquake building codes. This book along with a small library of films and kits can guide anyone to learn and teach how to build a home or community.
Ceramic Houses and Earth Architecture: How to Build Your Own by Nader Khalili, 1996. This book shows how to build vaults, domes and arches with adobe blocks. It then goes on to suggest how to actually fire the structure like pottery, with a glaze. It is a fiscinating concept that has seen little use, partly because the firing process can be rather polluting. This book has been updated to discuss the SuperAdobe building method of building with earthbags.. I recommend this book to everyone who is interested in alternative building methods.
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The House That Jill Built: A Woman's Guide to Home Building by Judy Ostrow and Karen Leffler, 2005. Millions of women are already learning the basics of do-it-yourself and getting in tune with the empowering nature of power tools. Allison Kennedy, a woman who built an earthbag house all by herself after her boyfriend left her with a concrete foundation, is one of the featured stories. The House That Jill Built is perfect for women of all skill levels, from the experienced do-it-her-selfer to the woman who doesn't know the difference between a stud finder and a palm sander, to the woman who is looking to move on to more complex or large-scale projects. Sharing women's real-life experiences in creating their own dream homes, The House that Jill Built is a groundbreaking guide to the process as well as a collection of women's real-life home-building experiences, complete with before and after photos and drawings, advice from experts, safety precautions, and a comprehensive section of how-to tips, including a tool guide. Chapters highlight success stories, such as the design and construction of one woman's desert dream house to another's tropical paradise nestled up north. After reading these personal stories, every woman will feel motivated to pick up the hammer and go for it. |
Baggins' Burrow Kelly Hart, Designer This is a 2 bedroom, 2 story, 1230 sf house that is very compact and efficient. It is designed to be dug into a south-facing hill, or to be bermed substantially on the north side. A large south-facing living area with vaulted cieling merges into the dining area and attached solar greenhouse. The bedrooms, bathroom and pantry are on the north side. An airlock entry provides space for coats and shoes. The curved walls and cieling gently embrace the occupants with a cozy and rustic elegance. The material and design choices are easy on both the earth and the pocketbook. This particular passive solar design should be extremely efficient, requiring very little energy for backup heating and cooling.
For more information about this plan, and many others, visit our sister site www.dreamgreenhomes.com, where you will find a wide range of plans for sustainable homes, greenhouses, small buildings, garages, and food storage space for sale. Dream Green Homes is a consortium of outstanding architects and designers, who have pooled their talent and expertise for your benefit. |
ASPECTS OF SUSTAINABLE ARCHITECTURE GENERAL DESIGN There is no concrete foundation; the house rests on a pad of scoria laid directly over the natural sand. Successive courses of polypropylene bags filled with sand (on the bottom few courses), and scoria (on the rest of the courses) are piled in an overlapping (brick-like) fashion to form the domes. Between each course are two strands of 4-point barbed wire. Each section of the house has a loft framed with conventional lumber. Some of the domes have poles arranged on the second story to help support the shape of the dome. The earthbags are covered initially, both inside and out, with papercrete (recycled paper, with a small amount of Portland cement). The final layer is either a lime plaster (lime, silica sand and white Portland cement), or papercrete with sand added. In some cases the final coat of papercrete has been stained with latex paint thinned way down with water. All of the walls and roof areas remain breathable (except the central metal roof under the solar equipment). Floors are poured adobe, flagstone, tile, papercrete, wood. (This house was built in a county that has not adopted the Uniform Building Code. The usual plumbing and electrical codes were required, and inspected for.) HEATING COOLING VENTING RECYCLED MATERIALS NEW MATERIALS NUMBER OF BAGS USED SQUARE FOOTAGE Approximately 3 years of owner/builder time at about 30 hours a week. No hired labor. Occasional friends' help. R-VALUE OF THE WALLS ELECTRICITY HOT WATER GREENHOUSE CONSTRUCTION COSTS:
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I was recently given the opportunity to help demolish an earthbag house project that had been started in our community. The owner/builder had sold the property and the new owner wanted the land cleared. At first the owner wanted to have heavy excavation equipment come in and just push it all over and haul the debris away. I offered to help carefully take the structure apart so we could recycle some of the materials and learn something about how easy it might be to tear down such construction. There were three domes to be removed, two of them connected and the third freestanding. These domes were constructed similarly to my house: polypropylene earthbags were filled with crushed volcanic rock (scoria); the courses of bags had barbed wire between them and the bags were tied to each other with poly baling twine. Papercrete was applied to both the interior and exterior surfaces. Additionally, rebar stakes had been driven through several courses of bags in many locations.
The freestanding dome was a rather lacy affair, almost a gazebo, with four arched openings and several circular windows. The builder had experienced difficulty in erecting this delicate building (it had collapsed several times in the process), so at my suggestion he had wrapped the columns between the arches with two-inch chicken wire mesh before applying the papercrete, in order to stiffen the building and make it stronger. This gazebo-like dome was built on a layer of about ten inches of scoria, which I started to collect for reuse. As I was digging around the base of the structure, it occurred to me that an interesting experiment would be to dig out from under a section of the wall and see how much could be undercut before the wall began to collapse. The section of wall I chose to undermine was about 15 feet long, between two arched openings. I dug alternately from one side and then the other, completely removing the scoria from underneath the wall. Like my house, there was no other foundation to this building.
I dashed home to get a camera to record the events, and continued undermining the wall, being careful to keep out of harm's way if it should suddenly collapse. The more I dug the more amazed I became. When the wall section was precariously balanced on about one foot of scoria in the middle of the wall, and nothing had happened except one bag had fallen out onto the ground below, I snapped the picture that can be seen here.
If anyone had any doubts about the strength and integrity of this system of building, this experiment should allay those concerns. Earthbag building of this sort can be STRONG! Eventually, as I continued to dig out from under the wall, it simply began to hinge downward from a point about ten feet up, above the arches. The wall itself showed no signs of falling apart. In fact when the owner tried to break it apart with an axe and a sledge hammer, he finally gave up and decided to have the backhoe tear into it! The fact that it was surrounded with the wire mesh and that he had used twice the amount of Portland cement as usual in the papercrete mix are factors contributing to the phenomenal strength.
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I accepted a wonderful challenge when I was asked to facilitate the creation of some sort of monument with about thirty people attending the Second Vittachi International Youth Gathering, held in Crestone, Colorado in early August of 2003. The expected attendees were from all over the world: the Philippines, Zimbabwe, Bhutan, Bangladesh, Nepal, China, Canada, Niger, Lebanon, South Africa, Cambodia, Indonesia, Cameroon, Poland, Jordan, New Zealand, Australia, UK, Brazil, and the USA. Unfortunately, not all of these countries were represented because of problems in getting visas from the U.S. government. My challenge was to imagine a project where people from such diverse backgrounds could cooperate in building something that would require little specialized skill and could be accomplished over the course of just a few days. The place where part of this conference was to be held was a large parcel of mostly undeveloped land known as Atalanta. A tent structure would provide shade for some of the events, while others would occur under the Cottonwood trees along a small creek. I chose a site right at the base of a lovely symmetrical hill to build what we decided to call the "Glorieta," which means an arbor or shade structure in Spanish. Our Glorieta would be a sort of glorified gazebo that would emerge directly from the soil beneath our feet. Since the conference was about sustainability, I felt it wasimportant to honor this by using local materials as much as possible. With my experience in building with earthbags (recycled misprinted polypropylene rice bags), I knew that it was possible to fill these bags with the fine sand that the entire hill was composed of, and create an actual building. As long as the bags of sand were stacked vertically, rather than inclined as for a dome, the structure should be plenty stable. Part of my plan was to terrace the hill in such a way that the soil removed in the excavation would be used to fill the bags. This terracing would then create a natural amphitheater, with the Glorieta serving as a sort of stage area for performances. To accentuate this function, the Glorieta has buttress wings that open out toward the amphitheater and an opening wide enough to accommodate a small musical ensemble that would be in full view of an audience. Another function of the Glorieta is to provide a shady place to socialize, convene classes or workshops, or simply be contemplative. For this reason I designed built-in benches both inside and outside the circular structure. The shade would come from a conical roof framed with small cottonwood trees that had died from last year's drought, and even smaller branches that would be woven around these rafters. This roof structure would be self-supporting, with the small ends of the trees wired to a central steel hoop, and the larger ends pinned to the earthbag wall with lengths of steel rebar. Barbed wire embedded between each course of bags serves to keep the circular wall from expansion from the outward force of the rafters. At any given time there were about a dozen people working on the project, and this was only for about three hours each morning, for a total of five days. One of the bigger challenges was to coordinate this many people to work smoothly as a team. I divided up the tasks so that some cleared weeds and brush, while others dug sand and filled bags, cut wire or twine (to hold the eventual chicken wire for the stucco), placed the bags and tamped them flat. It was a very industrious group effort, and it was amazing to see the structure actually rise out of the dust! It became apparent after a couple of days work that the Glorieta was not going to be complete by the end of our allotted time. We actually did get all of the bag walls erected, but did not finish the roof nor get much of the stucco up. This stucco was made from the same onsite sand, mixed with some Portland cement. Only one of the earthbag benches that serve as retaining walls for the terraces was created. I thought that we would need to dig much more soil than this to fill all of the bags. While most of the effort of building the Glorieta was very hard work, there was also an atmosphere of much joking, singing, and chatting. Lots of fun was generated by many successful attempts at walking across the horizontal beam suspended about seven feet above the ground at the main entrance to the Glorieta. Towards the end of our time there was a satisfying moment when all the participants had an opportunity to embed a rock, shell or other personal item brought from their country for this purpose. This will be a permanent memento of the wonderful event that spawned the Glorieta. Another moment that generated some excitement was when we removed the wooden arch form to reveal the self-supporting earthbag arch over the back entrance to the space; this always seems like gravity-defying magic. The Glorieta project was only one of many facets of this conference, but several people told me that for them it was a high point. Physically creating a functional and aesthetically interesting structure out of little more than the dirt under your feet and a few small dead trees is a memory that these folks will keep for some time. |
Filling the Bags with Rice Hulls Don Stephens has been experimenting with rice hulls in bags. He says, "I thought you might find this photo of interest...it's the bag-walled studio I'm mentoring/assisting the owners in building here in Spokane. The bags are just filled with packed, dry rice hulls and they are load-bearing, holding up the insulated bondbeam at the top and the poured-in-ricehull-insulated roof, which will end up planted, over its salvaged-carpet covered Mel-Rol waterproofing. There's been no settlement since construction and it feels SOLID, walking on the roof. The exterior will be stuccoed with slightly-stabilized cob and the interior will be earth plastered. The subfloor is of ricehull-liteclay, for insulation, and will be topped with cob-adobe.... : ) " There is more information about various tests that have been performed with rice hulls as insulation at www.esrla.com/shotgun , slides 24-39. Also the issue #47 (Fall 2004) of The Last Straw has a lengthy article. Also, the complete text of Paul Oliver's article about the Rice Hull House is available here. If any one is interested, my company supplied the hulls for Don Stephens project. Contact jpereiraATrice-hulls.com. |
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